Tuesday, April 26, 2016
For the next selection on the highlife turntable, I have selected the track Okubo Izom Ke Emi by Anthony Cockson off a Julie Records release dated 1988.
John Beadle has written about this artist before, but he did not have a lot of information other than he was an Ijaw musician from Tarakiri in the Bayelsa State who had an oddly poetic voice and a hypnotic bass line.
His name came across my musical radar when I asked Peres Bestman Doupere, the son of the singer Bestman Doupere, who the people were in some pictures I found on the back cover of a King Ebizimor LP.
He identified one as his father and the other one as Antony Cockson. He told me that Ebizimor, his father and Cockson were all from the Angalabiri Community in Sagbama. Both men were backup singers in Ebizimor's band before going off on their own solo careers. It also appears that Cockson had his own record label called Cockson records.
It took me a while to find this LP, but it was worth the wait. The song is a 16 minutes long and the vocals and bass line are complimented by some nice percussion work. John was right about the vocals and the bass line.
There are several points in the song where Cockson just goes off and does some really pretty cool singing. You'll know what I am talking about when you hear it.
I've been listening to this a lot lately and it has peaked my interest in Izon highlife.
I hope you like.
Thursday, December 10, 2015
For the next selection on the highlifeturntable, I have selected the track Anam Ene Uwa by the group Ogbansiegbe Onuora and his Star Brothers International Band off their 1978 release Isi Buka Ani Eric
There was no information on the sleeve or the record about the band or where they were based, but the music is definitely Ibo highlife. The playing is pretty much flawless. What real stands out for me is the vocals and raucous guitar playing. . Its hard to describe what makes it so special, but once you listen to it I think you will know what I mean. For me the vocals are a great example of the depth, warmth and range of sound these singers were capable of. The fluidity and soulfulness cadence of the vocals are accompanied by some screaming guitar riffs. The seller aptly described the music as the Ibo highlife equivalent of musical heroin. I've been listening to it nonstop
See what you think.
Happy Holidays from the Highlife Cave
I'll be posting a Ghanaian track I really like in the next few days.
Friday, July 24, 2015
For the next selection on the highlife turntable I have selected the track Abraham by O.P.K off a Pan American release O.P.K is back again.
Recorded at Ambassador records in Ghana there is no information on the liner notes about the performers except a note that all tunes were written by O.P.K and F.K. Part of me wants to believe that F.K. is F. Kenya, but I have no way of knowing although the lead vocalist does sound like him.
The medley takes up all of side 1. The vocals are sharp and are carried along by a guitar rhythm has that laid back psychedelic Ghanaian back beat that was the hallmark of all the great Ghanaian bands of the late 70's. I was also grooving on the nice percussion work in the background. I've been playing it alot lately. I hope you like it.
Let me know if you can identify who F.K. and O.P.K.
Thursday, July 23, 2015
For the next selection on the highlife turntable. I have selected the track Ezi Okwu Di Nnua by Osita and his Seven Brothers Band from their 1979 Jicco release Ofu Osisi Adi Eme Ofia.
There was no information on the liner notes about the band, but they sing in Igbo. The rough translation of the song title is truth is the husband/father. The two things that really stood out for me were the vocals and the horn playing. Check out the horn riffs at the beginning, at the 4:30 mark and towards the end. Classic stuff. I hope you like.
Monday, April 27, 2015
For the next selection on the Highlife Turntable I have selected the track Odindo Kua Enwe by the Akashiada International Band led by Pat Enebeli off a 1982 release entitled Charity Special.
I do not know much about the Akashiada International Band but the Umu-Akashiada is a sub group of the Ukwauni people in the Ndokwa land. Akashiada records appears to be a label that was active in the early 80's. Pat Enebeli went on to become the lead singer for one of my favorite Ukwauni bands Obiajulu and his Sound Power of Africa.
The Ukwauni song is minimalist in structure and focuses on the thready guitar rhythms supporting the lilting vocals of Pat Enebeli. I really like the way the guitarist bends the notes and the chorus hovers in the background occasionally joining the lead vocalist. I think the simplicity of the song is what I find most attractive. I have been listening to it a lot lately and thought I'd share it to see what you think.
I hope you like it.
Saturday, February 21, 2015
For the next selection on the highlife turntable, I have selected the track Oh Chukwu Nna by the Amaica Brothers Band led by John Okpor off an O.E.I. Records release.
I've written about John Okpor before. John Okpor was one of the great Ukwauni vocalists and appears to have had a long and varied career. I've never heard of the Amaica Brothers Band or this label before I came across this record.
This song appears to be a reworking of the Igbo gospel song Chukwa Nna Mu. Chukwu in Igbo culture is the source of all the other Igbo gods and controls everything on earth and the spiritual world. Nna is another word for Fathers. The song sounds like a praise song to the creator and father: Chukwu. The label says the song is a Ukwauni Continental Highlife.
The three things that stand out for me are the beauty of the vocals, the simplicity of the guitar lines and the way the percussion instruments keep the tempo moving. A beautiful little song.
I hope you like it
Friday, February 13, 2015
For the next selection on the Highlife Turntable I have selected the track Onwu Egbuchula Nnem by Chukwuemeka Madukwem and the Big Seven.
I do not know anything about the performer, but the song is off a 1979 Jicco Records Release. The tune is pretty simple, but the vocals and horn solos give the song a nice laid back quality. Nothing fancy, but clean and straightforward. I've been listening to the song the last couple of weeks and thought I'd share it. I hope you like it.
Let me know if you know anything about the performer or the style of music.